quotations about writing
I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.
SAUL BELLOW
Q & A at Howard Community College, February 1986
While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once.
THOMAS MANN
Tonio Kröger
A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.
GRAHAM GREENE
The End of the Affair
A major character has to come somehow out of the unconscious.
GRAHAM GREENE
New York Times, October 9, 1985
I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.
FRAN LEBOWITZ
interview, A. V. Club, June 17, 2011
I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.
ROBERT BROWNING
letter to Elizabeth Barrett, February 11, 1845
To write is to act.
HENRI-DOMINIQUE LACORDAIRE
Letters to Young Men
Sometimes I think that my best writing comes from exposing my fears and vulnerabilities and hoping that nobody notices it's about me.
VICTORIA LAURIE
Twitter post, October 13, 2014
Having your book turned into a movie is like seeing your oxen turned into bouillon cubes.
JOHN LE CARRÉ
attributed, Bad TV: The Very Best of the Very Worst
When I was teaching -- I taught for a while -- my students would write as if they were raised by wolves. Or raised on the streets. They were middle-class kids and they were ashamed of their background. They felt like unless they grew up in poverty, they had nothing to write about. Which was interesting because I had always thought that poor people were the ones who were ashamed. But it's not. It's middle-class people who are ashamed of their lives. And it doesn't really matter what your life was like, you can write about anything. It's just the writing of it that is the challenge. I felt sorry for these kids, that they thought that their whole past was absolutely worthless because it was less than remarkable.
DAVID SEDARIS
January Magazine, June 2000
If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.
RAY BRADBURY
attributed, The Writer's Workout
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
A good writer can watch a cat pad across the street and know what it is to be pounced upon by a Bengal tiger.
JOHN LE CARRÉ
attributed, The Twilight and Other Zones
Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.
WYNDHAM LEWIS
The Art of Being Ruled
I want to write because I have the urge to excel in one medium of translation and expression of life. I can't be satisfied with the colossal job of merely living. Oh, no, I must order life in sonnets and sestinas and provide a verbal reflector for my 60-watt lighted head.
SYLVIA PLATH
The Journals of Sylvia Plath
When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
MARTIN AMIS
"The Past Gets Bigger and the Future Shrinks", Los Angeles Review of Books, July 21, 2013
I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.
ADAM RAPP
interview, Theatre Communications Group
As things stand now, I am going to be a writer. I'm not sure that I'm going to be a good one or even a self-supporting one, but until the dark thumb of fate presses me to the dust and says "you are nothing," I will be a writer.
HUNTER S. THOMPSON
Gonzo
With 60 staring me in the face, I have developed inflammation of the sentence structure and a definite hardening of the paragraphs.
JAMES THURBER
New York Post, June 30, 1955
I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, "Is he sick?" "No," my wife says, "he's writing something." I have to do it that way on account of my eyes. I still write occasionally--in the proper sense of the word--using black crayon on yellow paper and getting perhaps twenty words to the page. My usual method, though, is to spend the mornings turning over the text in my mind. Then in the afternoon, between two and five, I call in a secretary and dictate to her. I can do about two thousand words. It took me about ten years to learn.
JAMES THURBER
The Paris Review, fall 1955