quotations about writing
Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.
JACK LONDON
"Getting Into Print", Editor magazine, 1903
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
What Now?
For a moment, I debated whether I should tell someone about the words I'd started writing down, but I couldn't. In a way, I felt ashamed, even though my writing was the one thing that whispered okayness in my ear. I didn't speak it, to anyone.
MARKUS ZUSAK
Getting the Girl
He that writes to himself, writes to an eternal public.
ELIZA COOK
Diamond Dust
I have no taste for either poverty or honest labor, so writing is the only recourse left for me.
HUNTER S. THOMPSON
The Proud Highway
I invariably have the illusion that the whole play of a story, its start and middle and finish, occur in my mind simultaneously--that I'm seeing it in one flash. But in the working-out, the writing-out, infinite surprises happen. Thank God, because the surprise, the twist, the phrase that comes at the right moment out of nowhere, is the unexpected dividend, that joyful little push that keeps a writer going.
TRUMAN CAPOTE
The Paris Review, spring-summer 1957
I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.
HARPER LEE
interview with Roy Newquist, Counterpoints, 1964
Many writers are there that paint a stolen jade and sell it for a colt at the nearest fair.
AUSTIN O'MALLEY
Keystones of Thought
Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
CYRIL CONNOLLY
Enemies of Promise
The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.
JOHN STEINBECK
New York Times, June 2, 1969
When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.
JORGE LUIS BORGES
The Paris Review, winter-spring 1967
When you invent something, you're drawing on reservoirs of knowledge that you already have. It's only when you're faithful to the truth that something can come to you from the outside.
ELIF BATUMAN
interview, The Rumpus, April 25, 2012
Writers are made--forged, really, in a kiln of their own madness and insecurities.
CHUCK WENDIG
250 Things You Should Know About Writing
Writing is nothing more than a guided dream.
JORGE LUIS BORGES
preface, Dr. Brodie's Report
I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.
STEPHEN LEACOCK
How to Write
I think without writing I would feel completely useless.
SAM SHEPARD
The Observer, March 20, 2010
I want to do something splendid ... something heroic or wonderful that won't be forgotten after I'm dead ... I think I shall write books.
LOUISA MAY ALCOTT
Little Women
In secluding himself too much from society, an author is in danger of losing that intimate acquaintance with life which is the only sure foundation of power in a writer.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought
The chief advantage that ancient writers can boast over modern ones, seems owing to simplicity. Every noble truth and sentiment was expressed by the former in the natural manner; in word and phrase, simple, perspicuous, and incapable of improvement. What then remained for later writers but affectation, witticism, and conceit?
WILLIAM SHENSTONE
Essays on Men and Manners
The industry is a terrible, cold place run by people who love to tear writers apart. Rejection is the norm, which means writing is the act of falling madly, deeply in love with your characters and story, even knowing you'll probably get your heart broken for it.
COREY MANDELL
"Beware the Writing Zombies", Huffington Post, February 25, 2016