quotations about writing
I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.
SAM SHEPARD
The Paris Review
In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.
ALI MADEEH HASHMI
"The art of writing", The News on Sunday, March 11, 2017
The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.
CHARLES BUKOWSKI
Notes of a Dirty Old Man
You become a serious novelist by living long enough.
DON DELILLO
Conversations with Don DeLillo
Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.
DORIS LESSING
The Golden Notebook
You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
DORIS LESSING
The New York Times, April 22, 1984
Few sensible authors are happy discussing the creative process -- it is, after all, black magic, and may lose its power if we look that particular gift horse too closely in the mouth.
EDWARD ALBEE
introduction, Three Tall Women
The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it.
MARK TWAIN
"How to Tell a Story"
At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it--it will haunt you till it's written.
TRUMAN CAPOTE
The Paris Review, spring-summer 1957
Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.
ALAN HOLLINGHURST
The Paris Review, winter 2011
I truly believe that writing is a continuum--so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better.
CHRIS ABANI
interview, UTNE Reader, June 2010
Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
ERNEST HEMINGWAY
Death in the Afternoon
Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.
HENRY WADSWORTH LONGFELLOW
Table-Talk
The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.
RAY BRADBURY
Fahrenheit 451
You never know what you will learn till you start writing. Then you discover truths you never knew existed.
ANITA BROOKNER
attributed, Journal for You, 2003
You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.
CHUCK WENDIG
The Kick-Ass Writer
As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.
IAIN M. BANKS
"Iain Banks: The Final Interview", The Guardian, June 14, 2013
Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure.
J. D. SALINGER
attributed, Salinger: A Biography
There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.
REX STOUT
The New York Times, November 15, 1953