quotations about writing
Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy ... it takes a mean author to write a good story.
GAIL CARSON LEVINE
Writing Magic
I've got splinters in my nose from the best publishing doors in town.
RITA MAE BROWN
interview, Time, March 18, 2008
You have an idea in mind of what you want to achieve when you sit down to write something. It takes many years to accept that you will always fall short of that. Maybe now I can write the book that I might have had in mind five or twenty years ago. You're always lagging behind your best ideas.
TOBIAS WOLFF
The Missouri Review, 2003
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
It was then that I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present and to come, in exchange for easier access to the world, for permission to state "I hurt" or "I hate" or "I want". Or indeed, "Look at me". And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, or thoughtlessness. For the writer there is no oblivion. Only endless memory.
ANITA BROOKNER
Look at Me
It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word.
WILLIAM H. GASS
On Being Blue
The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader.
CHARLES DE LINT
The Blue Girl
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
KELLY LINK
"A Vampire is a Flexible Metaphor: An Interview with Kelly Link", Gigantic Magazine, October 23, 2013
It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.
LOUISE ERDRICH
The Paris Review, winter 2010
Go to any lengths to avoid preachiness! If you have to choose between the message and the story, always choose the story.
ELIZABETH ZELVIN
interview, The Fix
What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.
ROBERT STONE
The Paris Review, winter 1985
In utter loneliness a writer tries to explain the inexplicable.
JOHN STEINBECK
New York Times, June 2, 1969
I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.
HUNTER S. THOMPSON
The Great Shark Hunt: Strange Tales from a Strange Time
Things may not be immediately discernible in what a man writes, and in this sometimes he is fortunate; but eventually they are quite clear and by these and the degree of alchemy that he possesses he will endure or be forgotten.
ERNEST HEMINGWAY
Nobel Prize speech, December 10, 1954
I realized that I wanted to be a writer. But I wasn't sure I would be until I was fifteen or so. At that time I had immodestly started sending stories to magazines and literary quarterlies. Of course no writer ever forgets his first acceptance; but one fine day when I was seventeen, I had my first, second, and third, all in the same morning's mail. Oh, I'm here to tell you, dizzy with excitement is no mere phrase!
TRUMAN CAPOTE
The Paris Review, spring-summer 1957
This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.
ANNE LAMOTT
Bird by Bird
Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.
VIRGINIA WOOLF
A Room of One's Own
Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.
GARRISON KEILLOR
"Post to the Host", July 2005
I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day. But then she said, and how do you get to know someone like Ira Glass? And I said, that's not the point. You don't befriend people for that reason. I was just lucky and Ira happened to be in a place where I was reading one night and heard me read. I didn't invite him to come there. If I had gone out of my way to invite him, he probably wouldn't have come. Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.
DAVID SEDARIS
Oasis Magazine, June 2008