WRITING QUOTES XXIV

quotations about writing

How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.

ADAM PHILLIPS

"Poetry as Therapy", The Guardian, March 29, 2012

Tags: Adam Phillips


If you want to write ... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.

RAY BRADBURY

attributed, Words from the Wise

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In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.

DORIS LESSING

The New York Times, April 22, 1984


Remember that in today's market, distribution and promotion are as important as craft. But don't forget what made you want to write fiction. If it was for the money, you're in the wrong business!

ELIZABETH ZELVIN

interview, Book Browsing, July 26, 2012

Tags: Elizabeth Zelvin


Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.

CHINUA ACHEBE

Anthills of the Savannah


The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.

ROALD DAHL

Boy

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The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

ANAÏS NIN

The Diary of Anaïs Nin


The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013

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The true alchemists do not change lead into gold; they change the world into words.

WILLIAM H. GASS

A Temple of Texts

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We live in a world ruled by fictions of every kind--mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.

J. G. BALLARD

Crash

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Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.

URSULA K. LE GUIN

"A Message About Messages", CBC Magazine

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Without a pen in my hand I can't think.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

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Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.

SAUL BELLOW

Nobel lecture, December 12, 1976

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Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

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Brevity is the sister of talent.

ANTON CHEKHOV

letter to A. P. Chekhov, April 11, 1889

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Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.

YEVGENY ZAMYATIN

Theme and Plot

Tags: Yevgeny Zamyatin


I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.

JEFF ABBOTT

"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017

Tags: Jeff Abbott


I've found it incredibly helpful to make writing a routine. I don't sit down with the intention of creating an article that goes viral or some savvy sales page. I sit down and force myself to get my thoughts out on paper or in my laptop. If we choose the same time everyday our physiology is automatically going to start getting prepared to allow thoughts to flow to paper. After awhile of doing this you might even find that your ideas start coming to you shortly before you're scheduled writing time. I've found myself skipping my morning tea because I had such great ideas/thoughts and wanted to quickly get them out of my head and onto paper.

DANIELLE SABRINA

"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016


In the end, the writer is not even allowed to live in his writing.

THEODOR W. ADORNO

Minima Moralia

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My plots are always rudimentary. Whatever I've accomplished certainly does not depend on my virtuosity with plot. Generally I don't even have a plot. What happens is that my characters engage in an action, and out of that action little bits of plot sometimes adhere to the narrative. I never have to worry about lifting a plot, because I don't conceive of a book that way.

NORMAN MAILER

The Paris Review, winter-spring 1964