quotations about writing
To turn experience into speech -- that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it -- is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.
JOHN BARTH
The End of the Road
Once writing has become your major vice and greatest pleasure only death can stop it.
ERNEST HEMINGWAY
The Paris Review, spring 1958
You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.
MICHEL HOUELLEBECQ
The Paris Review, fall 2010
I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.
JOSÉ SARAMAGO
The Paris Review, winter 1998
Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.
JOHN LE CARRÉ
interview, The Telegraph, August 31, 2010
Ideas are infinite--writers are hardwired to think that way. We keep it fresh by using new people, mixing character types and putting them in a different setting. It's always the first book all over again, but one idea can be told a thousand different ways. There are 88 keys on the piano, but you can make an infinite amount of music from those keys.
NORA ROBERTS
Time Magazine, November 29, 2007
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.
ADRIENNE RICH
What Is Found There: Notebooks on Poetry and Politics
I am not someone who is very good at writing a certain amounts every day. I know that's what one is told one should do, but what I tend to do is kind of sequester myself away while I am in London for a few weeks at a time and become very antisocial and write very, very intensively over a relatively short time. I am much more of a burst writer than a steady-state writer.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.
PETER ABRAHAMS
End of Story
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its power.
JOAN DIDION
Joan Didion: Essays & Conversations
I want to be a writer you can always depend on for a good read during your vacation, during your flight, during a time in your life when you want to forget the world around you. The nicest notes I've received from readers are those that tell me I've gotten them back into reading for entertainment. For me, there is no greater compliment.
JEFF ABBOTT
Publisher's Weekly, May 30, 2011
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
ERNEST HEMINGWAY
The Paris Review, spring 1958
Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
Writers, like teeth, are divided into incisors and grinders.
WALTER BAGEHOT
Estimates of Some Englishmen and Scotchmen
You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off.
ORSON SCOTT CARD
How to Write Science Fiction and Fantasy
Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion.
DAN SIMMONS
Hyperion
For those who do not write and who never have been stirred by the creative urge, talk of muses seems a figure of speech, a quaint concept, but for those of us who live by the Word, our muses are as real and necessary as the soft clay of language which they help to sculpt.
DAN SIMMONS
Hyperion
There is as much variety of pluck in writing across a sheet, as in riding across a country.
WALTER BAGEHOT
Literary Studies
When the first-rate author wants an exquisite heroine or a lovely morning, he finds that all the superlatives have been worn shoddy by his inferiors. It should be a rule that bad writers must start with plain heroines and ordinary mornings, and, if they are able, work up to something better.
F. SCOTT FITZGERALD
Notebooks
I hardly ever work from a synopsis -- I find they act like chains.
TANITH LEE
Realms of Fantasy, August 2009