British author (1919-2013)
As in the political sphere, the child is taught that he is free, a democrat, with a free will and a free mind, lives in a free country, makes his own decisions. At the same time he is a prisoner of the assumptions and dogmas of his time, which he does not question, because he has never been told they exist. By the time a young person has reached the age when he has to choose (we still take it for granted that a choice is inevitable) between the arts and the sciences, he often chooses the arts because he feels that here is humanity, freedom, choice. He does not know that he is already moulded by a system: he does not know that the choice itself is the result of a false dichotomy rooted in the heart of our culture. Those who do sense this, and who don't wish to subject themselves to further moulding, tend to leave, in a half-unconscious, instinctive attempt to find work where they won't be divided against themselves. With all our institutions, from the police force to academia, from medicine to politics, we give little attention to the people who leave--that process of elimination that goes on all the time and which excludes, very early, those likely to be original and reforming, leaving those attracted to a thing because that is what they are already like. A young policeman leaves the Force saying he doesn't like what he has to do. A young teacher leaves teaching, her idealism snubbed. This social mechanism goes almost unnoticed--yet it is as powerful as any in keeping our institutions rigid and oppressive.
DORIS LESSING
A Small Personal Voice
When a book's pattern and the shape of its inner life is as plain to the reader as it is to the author -- then perhaps it is time to throw the book aside, as having had its day, and start again on something new.
DORIS LESSING
Partisan Review, 1973
There are certain things I don't talk about. I have kept diaries, of course, but they can't be read for quite a long time. What will emerge when people read them? I can't imagine that anything will emerge that can't be deduced from reading any of my books now. This is why I'm always curious about people who are fascinated by writers' lives. It seems to me that we're always in our books, quite nakedly. I wonder, too, does the private life really matter? Who cares what is known about you and what isn't? Even when you make public something that's been private, most people don't get it -- not unless they're the same generation and have gone through more or less the same experiences. So, in a sense, we're all private, by definition.
DORIS LESSING
interview, The Progressive, June 1999
I think I am at the end of a certain phase of my life. What I'm on the lookout for now is the unexpected, for things that come from outside and that I never thought might happen. Sometimes you have to watch for them so you don't automatically say no to the new, simply because you're in the habit of saying no to everything that comes along.
DORIS LESSING
interview, The Progressive, June 1999
Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.
DORIS LESSING
The Golden Notebook
You are taken, shaken, by moments when the improbability of our lives comes over you like a fever. Everything is remarkable, people, living, events present themselves to you with the immediacy of players in some barbarous and splendid drama that it seems we are part of. You have been given new eyes.
DORIS LESSING
Time Bites
My major aim was to shape a book which would make its own comment, a wordless statement: to talk through the way it was shaped.
DORIS LESSING
introduction, The Golden Notebook
In times of war, as everyone knows, who has lived through one, or talked to soldiers when they are allowing themselves to remember the truth, and not the sentimentalities with which we all shield ourselves from the horrors of which we are capable ... in times of war we revert, as a species, to the past, and are permitted to be brutal and cruel. It is for this reason, and of course others, that a great many people enjoy war. But this is one of the facts about war that is not often talked about.
DORIS LESSING
Prisons We Choose to Live Inside
You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
DORIS LESSING
The New York Times, April 22, 1984
What a luxury a cat is, the moments of shocking and startling pleasure in a day, the feel of the beast, the soft sleekness under your palm, the warmth when you wake on a cold night, the grace and charm even in a quite ordinary workaday puss. Cat walks across your room, and in that lonely stalk you see leopard or even panther, or it turns its head to acknowledge you and the yellow blaze of those eyes tells you what an exotic visitor you have here, in this household friend, the cat who purrs as you stroke, or rub his chin, or scratch his head.
DORIS LESSING
The Old Age of El Magnifico
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
DORIS LESSING
The New York Times, April 22, 1984
I do not think writers ought ever to sit down and think they must write about some cause, or theme ... If they write about their own experiences, something true is going to emerge.
DORIS LESSING
"All Things Considered", NPR, October 11, 2007
London has changed enormously and so have the English in the past decade. They're more like Americans and more like Europeans, too. They're always eating out, and when they're at home they don't cook the way they did ten years ago. They're all sitting around in cafés, like the Continentals, drinking coffee and chattering and watching the world go by.
DORIS LESSING
interview, The Progressive, June 1999
I knew that this man was repeating a pattern over and over again: courting a woman with his intelligence and sympathy, claiming her emotionally; then, when she began to claim in return, running away. And the better a woman was, the sooner he would begin to run. I knew this with my intuition, and yet I sat there in my dark room, looking at the hazed wet brilliance of the purple London night sky, longing with my whole being.
DORIS LESSING
The Golden Notebook
I think people are always looking for gurus. It's the easiest thing in the world to become a guru. It's quite terrifying. I once saw something fascinating here in New York. It must have been in the early seventies--guru time. A man used to go and sit in Central Park, wearing elaborate golden robes. He never once opened his mouth, he just sat. He'd appear at lunchtime. People appeared from everywhere, because he was obviously a holy man, and this went on for months. They just sat around him in reverent silence. Eventually he got fed up with it and left. Yes. It's as easy as that.
DORIS LESSING
The Paris Review, spring 1988
What's terrible is to pretend that the second-rate is the first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better.
DORIS LESSING
The Golden Notebook
I am increasingly afflicted by vertigo where words mean nothing.
DORIS LESSING
The Golden Notebook
One novel in five hundred or a thousand has the quality a novel should have to make it a novel -- the quality of philosophy.
DORIS LESSING
The Golden Notebook
I think when people look back at our time, they will be amazed at one thing more than any other. It is this--that we do know more about ourselves now than people did in the past. But that very little of it has been put into effect. There has been this great explosion of information about ourselves. The information is the result of mankind's still infant ability to look at itself objectively. It concerns our behaviour patterns. The sciences in question are sometimes called the behavioural sciences and are about how we function in groups and as individuals, not about how we like to think we behave and function, which is often very flattering. But about how we can be observed to be behaving when observed as dispassionately as when we observe the behaviour of other species. These social or behavioural sciences are precisely the result of our capacity to be detached and unflattering about ourselves. There is this great mass of new information from universities, research institutions and from gifted amateurs, but our ways of governing ourselves haven't changed. Our left hand does not know--does not want to know--what our right hand does. This is what I think is the most extraordinary thing there is to be seen about us, as a species, now. And people to come will marvel at it, as we marvel at the blindness and inflexibility of our ancestors.
DORIS LESSING
Prisons We Choose to Live Inside
For she was of that generation who, having found nothing in religion, had formed themselves through literature.
DORIS LESSING
A Proper Marriage