American author (1929- )
Now perhaps an excessive dread of overpopulation--overcrowding--reflects not an outward reality, but an inward state of mind. If you feel overcrowded when you're not, what does that mean? Maybe that you're afraid of human contact--of being close to people, of being touched.
URSULA K. LE GUIN
The Lathe of Heaven
O foolish writer. Now moves. Even in storytime, dreamtime, once-upon-a-time, now isn't then.
URSULA K. LE GUIN
foreward, Tales from Earthsea
People who deny the existence of dragons are often eaten by dragons. From within.
URSULA K. LE GUIN
The Wave in the Mind: Talks & Essays on the Writer, the Reader, & the Imagination
Predictions are uttered by prophets (free of charge); by clairvoyants (who usually charge a fee, and are therefore more honored in their day than prophets); and by futurologists (salaried). Prediction is the business of prophets, clairvoyants, and futurologists. It is not the business of novelists. A novelist's business is lying.
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader--and the writer.
URSULA K. LE GUIN
interview, Electric Lit, August 7, 2014
To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
To which Silence of course made no reply, letting him hear what he had said and feel its foolishness thoroughly.
URSULA K. LE GUIN
Tales from Earthsea
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
While we read a novel, we are insane--bonkers. We believe in the existence of people who aren't there, we hear their voices, we watch the battle of Borodino with them, we may even become Napoleon. Sanity returns (in most cases) when the book is closed.
URSULA K. LE GUIN
The Language of the Night: Essays on Fantasy and Science Fiction
You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.
URSULA K. LE GUIN
The Dispossessed
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
Children know perfectly well that unicorns aren't real, but they also know that books about unicorns, if they are good books, are true books.
URSULA K. LE GUIN
The Language of the Night: Essays on Fantasy and Science Fiction
Go to bed; tired is stupid.
URSULA K. LE GUIN
A Wizard of Earthsea
I don't think science fiction is a very good name for it, but it's the name that we've got. It is different from other kinds of writing, I suppose, so it deserves a name of its own. But where I can get prickly and combative is if I'm just called a sci-fi writer. I'm not. I'm a novelist and poet. Don't shove me into your damn pigeonhole, where I don't fit, because I'm all over. My tentacles are coming out of the pigeonhole in all directions.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
The danger in trying to do good is that the mind comes to confuse the intent of goodness with the act of doing things well.
URSULA K. LE GUIN
Tales from Earthsea
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
Truth, as ever, avoids the stranger.
URSULA K. LE GUIN
City of Illusions
Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life’s over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.
URSULA K. LE GUIN
"The Space Crone", Co-Evolution Quarterly, summer 1976
Privacy, in fact, was almost as desirable for physics as it was for sex.
URSULA K. LE GUIN
The Dispossessed
Morality is an utterly meaningless term unless defined as the good one does to others, the fulfilling of one's function in the sociopolitical whole.
URSULA K. LE GUIN
The Lathe of Heaven